Suchergebnisse

AbstractBuddhism contributed to the culture and politics of thirteenth-century Eurasian intellectual exchange, depositing literary, artistic, and architectural traces subsequently eclipsed by layers of Islamic and Eurocentric history. Within extensive cross-continental networks of diplomatic and commercial activity, Ilkhanid Buddhism and the Buddhist revival of which it was a part drew serious attention among contemporary travelers, scholars, and statesmen including Ibn Taymiyah, Roger Bacon, and Rashid al-Din. This article argues that awareness of a Buddhist scholarly and political elite in the Muslim heartland, with its center at Tabriz, generated a historically significant Eurasian Buddhist discourse during a critical passage in the turn to modernity.

The Mongol Empire opened intellectual exchange across the Eurasian expanse, generating a century of translocal creativity and cultural innovation. Major artistic centers under the Mongol Ilkhanate, including the workshops of Tabriz, evolved eclectic styles fusing elements from Iranian, Chinese, and Tibetan traditions among others. Sienese merchants and artists developed reciprocal contact with these centers and a growing awareness of Mongol cultural politics. Viewed in their Eurasian context, two frescoes by Sienese artist Ambrogio Lorenzetti, The Effects of Good Government and Martyrdom of the Franciscans , reframe and expand our understanding of the dynamic cultural pluralism that shaped our early modern history.